Further thoughts on the cultural labor of poetry and art. Not merely "is it good?," but "what has it accomplished?"...reviews of recent poetry collections; selected poems and art dealing with war/peace/social change; reviews of poetry readings; links to political commentary (particularly on conflicts in the Middle East); youtubed performances of music, demos, and other audio-video nuggets dealing with peaceful change, dissent and resistance.
How'd you get so slice?
Razor pinch all flat-like? All puff
& sting? What's your allergy?
Hi bucktooth cartoon. Hi war
paddy. Hi refugee. Spit. Take it.
Tight lids. Dagger flick. Stick
shift. Tease. Lemon juice.
Wide screen. We all scream.
What are you mad? Seething in
the corner? Cat squeezing
fish spine from back? What are you
blind-eye? What are you cock-
roach? What are you gleaming
all teeth no iris at the sun's grin?
Franny Choi's poetry explores the collisions of identity, the volatility of language, and the haunting relationship between the artist's body and her body of work. She has been a finalist at the National Poetry Slam, the Individual World Poetry Slam, and the Women of the World Poetry Slam. A Pushcart Prize Nominee, her literary work has appeared inFringe, Apogee, Tandem, Angry Asian Man, and others. Her play Mask Dances, which told the story of the 1980 Kwangju Uprising, was staged for the 2011 Writing is Live Festival. She co-coordinates ProvSlam Youth, a program for young writers in Providence, RI. Her first collection of poetry,Floating, Brilliant, Gone is forthcoming from Write Bloody Publishing in March 2014.
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Poem of the Week Open Call Closed
Split This Rock's Poem of the Week series is booked through the 2014 festival. We will not be accepting any new submissions during this time. Keep an eye out next Spring when we will open up the submissions again. Thanks for understanding!
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